Fear Itself: The Sacrifice

June 6th, 2008
by Ide Cyan

The first episode of the new horror anthology TV series Fear Itself, “The Sacrifice”, aired tonight.

If you missed it: don’t worry. Just go rent Ginger Snaps Back: The Beginning, the third movie in the Ginger Snaps trilogy (which is a prequel to the first two, so it’s not spoilery), which was released in 2004. “The Sacrifice”, which is based on a short story initially published in 2004, and therefore in no way predates Ginger Snaps Back, was shot in the exact same location as that movie, has a similar plot, but is not worth the bother of fast-forwarding through the numerous commercial breaks.

Unless, that is, you want to see how the television series restores gender roles in its choice of protagonists to predictably sexist defaults. Here’s a quick comparison of the set-up for the movie and the television episode:

In Ginger Snaps Back, the leads are two sisters who arrive at a remote outpost in the middle of winter in 1815. The fort is entirely peopled by men, some of whom hold misogynist superstitions, and the fort’s commander’s young son is a werewolf who is kept hidden by his father. The sisters Ginger and Brigitte are faced with both the werewolf threat and with the misogyny of the fort’s armed men.

In “The Sacrifice”, which is set in 2007 or 2008 (going by the mention of a specific videogame), four men, two of whom are brothers, are the ones who arrive at an isolated fort where people still live without electricity. The fort is kept by three young, blonde women, who lure passing motorists to appease a centuries-old male vampire, which has been staying in the fort as long as its inhabitants have provided victims for him. The three women and their dying father are the only survivors. These women seduce and pretend to care for the male characters, feeding them stew and tending to their wounds and making sexual advances explicitly for the purpose of capturing them to feed the vampire, which they are helpless to destroy themselves.

Ah, and what about race? Ginger Snaps Back has a Native American woman in a small role as a Magical Indian, and a Native man in a prominent role as a hunter who helps the sisters fight the werewolf curse. It’s not stellar, but it’s better than “The Sacrifice”, which only has one character with a hispanic-sounding name, who has nearly no dialogue and is the first to die.

All in all? Skip “The Sacrifice” and watch Ginger Snaps Back instead.

[Slashdot] [Digg] [Reddit] [del.icio.us] [Facebook] [Technorati] [Google] [StumbleUpon]
Share and Enjoy:
  • Digg
  • del.icio.us
  • Facebook
  • Reddit
  • Sk-rt
  • Slashdot
  • TwitThis
- More blogging by Ide Cyan at http://



Previous: --- Next:


Trackback URI | Comments RSS

Leave a Reply

Name

Email

Website



Speak your mind

    Recent Comments
    • Katie: Of course freaking Marge Piercy is not on there! Woman on the Edge of Time blows most of those books out of the water.
    • Cassandra: This is a great topic! THANK YOU for highlighting the issue of social context on our writing. We know it influenced...
    • Synesthesia: Indeed. Love for everyone sounds a lot better than the sort of family structures folks like OSC believe in. All...
    • Allen Shan: I don’t know what’s wrong with being gay. OSC make things complicated. The time your talking about has...
    • Dan: Believe me, I don’t want to see the sexism. It fucks up my reading experience. So I’d really like Larry Niven to clean up...
    • ian: written by women are: Arslan, The Dispossessed, The Female Man, Grass, The Lathe of Heaven, Where Late the Sweet Birds...
    • therem: And to respond to the larger question, of what works by women are missing from the list, I’m pretty sure these...
    • therem: Heh. I find reading lists like these amusing, so I’ll bite: Books by women: Arslan, The Dispossessed, The Female...
    Recent Trackbacks
    Recent Posts
    Archives
    Meta